Here’s some tips I got from experienced feature Director of Photography, PJ Raval, earlier this year at SXSW.<\/p>\n
PJ consistently recommended the P2 system, even if you buy one of Panasonic’s cameras that records on this system (eg. the HVX-200), it should hold much of its value for resale after the shoot. [This was certainly true earlier this year].<\/p>\n
He said that 24P on the DVX (DVX-100) is better than 24f on the Sony Z1. To get even better results from the pro-sumer Panasonic camera, PJ suggested switching off the knee, setting the pedestal lower and setting the zebra at 90-95%. He also suggested shooting everything on the pre-sets, including white balance (daylight or tungsten).<\/p>\n
The anamorphic lens is great, he said, but does have some drawbacks, for example no big close ups due to (spherical) aberration.<\/p>\n
Them’s me notes. If that made sense to you (it does to me), then enjoy!<\/p>\n","protected":false},"excerpt":{"rendered":"
Here’s some tips I got from experienced feature Director of Photography, PJ Raval, earlier this year at SXSW. PJ consistently recommended the P2 system, even if you buy one of Panasonic’s cameras that records on this system (eg. the HVX-200), it should hold much of its value for resale after the shoot. [This was certainly … Continue reading Advice from a DP<\/span>