Holiday Weekend

Three days of grass cutting, cleaning the gutters, planting grass where I’d sprayed Round Up (yes, it’s effective!), planting grass where it’s just bald, scoring two holes in one at putt putt golf, watching movies on TV, nice barbeque with beloved wife (looking very cute in new pink hat) and taking Jack to see Star Wars III–which was surprisingly good. Outstanding and sumptuous action sequences, in fact, and interesting plot.

It Really Is Life, Jim!

You scored as Cultural Creative. Cultural Creatives are probably the newest group to enter this realm. You are a modern thinker who tends to shy away from organized religion but still feels as if there is something greater than ourselves. You are very spiritual, even if you are not religious. Life has a meaning outside of the rational.

You scored as Cultural Creative It’s one of those online quiz things that you can do. Here’s the results of the little test for me and a link if you want to try it…

Cultural Creative

75%

Idealist

69%

Existentialist

56%

Postmodernist

56%

Modernist

56%

Fundamentalist

44%

Romanticist

44%

Materialist

31%

What is Your World View?
created with QuizFarm.com

Just A List

It’s done. I’ve taken on another short film. This one is currently enjoying the title The Adventure Golf Guy and you can even read the script online. We’re planning to film it next weekend. Hopefully the snow will have cleared by then. And today we have auditions. And tonight I’m meeting with the writers of the feature film I’m developing. And last week, well that was very very busy…

The Word Of Spike

On Thursday, I went to a lighting workshop hosted by Anthony ‘Spike’ Simms at the Detroit Film Center. Here’s some bullet points of things he talked about which I thought were cool:

• Shooting a feature film on a Panasonic DVX100 can look really great. Spike showed us some rushes he’d done using this miniDV camera with 35mm lenses attached through an adapter. These were snow scenes at night shot at 24P. He’d got great contrast by increasing the black levels, past normal broadcast standards. I think he said it was an increase of 10%.

• Spike had also shot blue for daylight and used white for night on the same feature. This seemed counter-intuitive at first because blue light is often used to represent moonlight (except for Sacha Vierny, who apparently prefers pale green). However, blue daylight worked really well. Perhaps it’s because we’re all used to seeing blue daylight on camcorders and digital stills cameras that have been set up for tungsten. Spike got the blue daylight feel by white balancing for tungsten. He did this by holding an orange gel (CTO) in front of the lens then white balancing, then removing the gel.

• Kinoflo supplies “super blue” tubes for creating an even light on blue screens.

• Household domestic circuits are usually rated 15 amps in the US. As power (Wattage) equals Volts x Amps, that gives 1650W of power available on the 110V supply. 1500W to be on the safe side. Playing it even safer means aiming to plug in only up to around 1000W of light on a single circuit (if it’s being used for other things like computers, kettles, hair driers, etc). 15A seems pretty low to me coming from the UK. Now I know to split the load more even with my small light kit.

• Backlight coming from different sides of the subject is sometimes refered to by different names. A “liner” refers to a lamp on the key light side, an “edge light” refers to a light on the fill side. They’re often confused and no one is expected to remember.

• Bouncing light from low surfaces, including floors, can look really nice, particularly for fill light. The effect is like sunlight streaming through a window and hitting the floor then bouncing around a room.

• Pegs can be used to break up light if you put them on a barn door. Black wrap works even better. I already use black wrap (or “cinefoil” as Spike said it’s also called) but I’ve never thought of using clothspins.

• Warm colors advance, cool colors recede. Spike demonstrated this by pointing out that an unlit white wall appeared blue on the TV monitor. Then he lit someone in front of the wall, but kept the wall unlit. The subject was warmer in tone and “popped” out of the background. Then Spike took same half CT blue and put it on the light. The subject blended more with the background and the shot looked more natural. Then he showed us an orange gel on the same light. The subject popped out of the background even more. Useful effect.

• I noticed that Spike never moved a key lamp around to reduce or increase intensity once he’d put it in place. Instead he added more diffusion and/or neutral density to them to control the light. This meant that he set his key light up to control the angle and position of the light first, then worked on the intensity second. Nice.

• Michigan has two main lighting rental companies for film/video. These are Detroit Power and Light (DPL) and Midamerica Cinesupport. Both of these can supply gels, spare bulbs and other stuff.

• Spike started off as a PA then became a boom operator (sound assistant). He said this is an ideal place to start on sets because you get to observe everyone else doing their job and you actually need to be informed about what’s going on (framing, blocking, lighting, etc).

• Lighting dark skin tones against bright blue sky is much harder than it looks because of the extreme contrast. Bouncing light with reflector boards is a really good solution.

• If you can’t afford a crane to place a large lamp up high for a moonlit night scene, then choose a location that’s in a valley with high sides. Works great.

Those were things I thought were the most interesting during the evening. Other people made a ton of notes and no doubt found out different things. I’ve also posted this over on the Cinema Slam Forums.

Award Winning Filmmaker

So I’m editing a short promo for a local producer, Beth Winsten. Today Beth brings round some VHS tapes including one of the Selina Scott program from the UK. Oh. My. God. Can I say that when it’s Easter in Jesustan? Whatever. Scott has got to have been the biggest airhead ever to grace the idiot box. She was interviewing mortician turned author, Thomas Lynch. I can only guess he was asking himself how someone so brain dead was still capable of movement.

Meanwhile, in far off Mount Pleasant, MI, Fate & Fortune has tied for second place in the Central Michigan International Film Festival. American Short Film has placed third with John’s other film, Europa Society. We took the trip up to Mt Pleasant las week to receive our certificates (picture me doing the jiggy dance at this point. And then stop).

Mt Pleasant is the first place I’ve been (though probably not the last) where one of the local theaters has been turned into a church. That’s right, a church. Not a bingo hall. What’s that? “Only in America.” Quite.

Anyway, John and I met Richard Brauer who appears to be Michigan’s major feature filmmaker of the moment having completed four in four years. Yes, I did hand him a business card. Who knows whether he’ll call, but it had to be done. And we got a nice write up in the local paper.

I should write some here about meeting Academy Award winner, Sue Marx, and showing her the various shorts from the UK. About going to various production companies seeking more camera/lighting/editing work. About visiting TV stations in Detroit. About Cinema Slam. About parties, screenings, learning, working. About this. About that. Network network network.

I should definitely mention the Ann Arbor Film Festival, for which I was a member of the screening committee. Maybe I should mention hanging out with Charles Kriel and see how many of you know who that is (I didn’t but he’s a cool guy). There was partying to the small hours, many films and at one point, someone I recognized was chatting to the Michigan Theater’s director of programming, but I couldn’t remember his name, so I interrupted them to ask for free popcorn. Turns out that was Crispin Glover. Nice. Hello? McFly?

Now, since the floor didn’t open up to swallow me after that incident, I’m just two days away from completing one of the New Year’s Resolutions by learning Avid. There’s a nice guy I met at Film Fest who has his own production company in Detroit who’s going to show me how to use the system which is apparently pretty similar to FCP. Then, cutting some scenes for another guy who’s just finished shooting his first feature. At the weekend: Lord of the Rings extended edition marathon over at Anthony’s house on Saturday. Sunday: collapse.

Oh, and I haven’t mentioned, but we now have a concept artist for the feature I’m developing with two Detroit writers. It’s all crazy. This year’s goal is now: make enough to live on by working part time and develop personal projects the rest of the time. Think it’s possible? Wait and see.

Editor At Large

Today my quest for meaningful and ultimately gainful employment in the creative world of film takes me out to West Bloomfield where a group of guys with a lot of footage are seeking assistance cutting it into a feature. Then I’m planning on meeting an experimental filmmaker here in A2. Also needs an editor. Hopefully I’ll be able to help.

I Have A Dream

And it’s about cushions…

Yesterday was Martin Luther King Day here on the blue fringes of Jesustan and I was out filming a symposium at the university. While I’m doing this, Laura is discovering Rachel Stevens of S-Club 7 so, y’know, the world has started spinning off its axis. Poptastic. Anyway, I now type to the sound of “Sweet dreams, my LA ex!” Bizarre really, when just a few short months ago I was putting out S-Club TV shows on the BBC kids channels. I digress.

Yesterday was Martin Luther King Day. And I was out filming. A symposium. Some people lecturing, if you will. One of them was Mary Sue Coleman, the president of the University of Michigan in who’s office, you may remember, I left one of my business cards a few months back. In her dictionary. Anyway, she’s just taken a case for pro-active admission of minorities all the way to the Supreme Court. And won.

I’ve no idea if Mary Sue has found the Ascalon Films card yet but there she was, looking right into the camera every so often, as she described the UofM’s commitment to equal opportunities. Also on the panel was Henry Cisneros and he mellowed me out. Henry cracked some jokes, described how he was once introduced as “Henry Cheesenachos” and then spoke about Martin Luther King.

MLK, said Henry, didn’t change the message for different audiences. He believed in everyone’s ability to achieve more than they expect of themselves, to stretch themselves. MLK gave the same message wherever he went. He didn’t talk down to people. He expected them to keep up or find out for themselves what he was about. He believed people could be taught. So does Mary Sue Coleman. And I find this at odds with my rant of the other day. At least generally. Which is a good thing.

Henry, unfortunately, blew his wad several years ago by cheating, lying, and helping the FBI waste money in unneccessary investigations, although I suspect his political enemies were just looking for an excuse. Which is a shame. Because some of the things Cisneros said, when quoting MLK, were right. And they might get ignored because of the aforementioned. You need character, belief and optimism to change things. And more, we all need to learn “the simple art of living together”.

I think I, like most people, have slipped into sloppy thinking. The kind of sloppy thinking that’s led to the dumbing down of the BBC and the news media in general. I remember Grelle White asking me what veridian was and I explained it was a shade of green. She changed my copy because the readers of the Watford Observer were expected to be dumb. I still regard that as an error, although Grelle as a person is terrific. I prefer to think people are capable of more.

Which makes it hard to live in a world where people do so many dumb things. Take Ariel Sharon, for instance. Please. Sharon is the leader of the world’s most evil regime, without any doubt. His latest call to crackdown on Palestinians because their new leader hasn’t done enough is a sick joke.

“Despite the change in Palestinian leadership, we have yet to see them taking any action against terror,” Mr Sharon told his cabinet.

Palestinian President Mahmoud Abbas had been elected less than a week.

I find this kind of behaviour disgusting. Ariel Sharon is clearly trying to force armageddon. It behooves us (and I think I can say “behooves” because I think you, dear readers, are smart), it behooves us to stand up in the face of people like this and say, “No, you’re behaving in a self-serving, violent way. We won’t sell you arms. We won’t buy goods or deal with your country. We don’t recognise your authority and we are issuing sanctions against you. You are a malicious occupying parasite which trades on a bankrupt stock of pro-semitic sympathy that Israel no longer warrants.”

Then last night, I viewed more films for the Ann Arbor Film Festival. We get a lot of one hour documentaries, clearly geared for TV slots. They’re usually forgettable, dull, unimaginative and easily ignored. One of them wasn’t. It was about environmental activist Judi Bari, arrested for allegedly causing an explosion that almost killed her. Earth First campaigned for nearly 12 years to clear her name, fighting stalling by the FBI as the logging companies decimated thousands of acres of ancient redwood forest and loggers milled away their children’s futures.

What impressed me was Judi’s ability to change things by actually working with the loggers, rather than against them. Pointing out that the forest is a limited resource in small communities and enlisting support from the loggers themselves. That’s incredibly powerful. Change can happen, although the mill owners switched from creating planks to pulping the wood, which is less labour (spelled correctly) intensive while hugely more destructive. Change can yet happen. Bari showed it happens when the protestors work with–not against–the people they want to change. The art of living together.

What also impressed me was the determination of Earth First as they fought their civil suit against the FBI. They showed that people can make a difference, right can triumph over wrong, good over bad.

There must be good people in the FBI who roll their eyes every time cases like these come up. Equally, there are good Jewish people in the world who abhore violence done in their name in the middle East. I was reminded of that today–that large organizations and groups are not homogenous entities to be tarred with broad brushes–when I read a report in the New York Times relating to a story carried on Laura, Alex and Joseph’s website, Martini Republic. I thought the NYT piece was well-written, accurate and balanced. And it reminded me that there are good journalists out there, reporters with integrity. The publishers and broadcasters might be out to make swift bucks or gain some kind of political capital, but most reporters are just doing their jobs to the best of their abilities. Likewise, I’m sure, most FBI folks. It’s a few idiots who’ve got positions they shouldn’t have who erode the credibility of the rest.

Which kind of brings us back to Prince Harry, doesn’t it? Maybe. Or Sarah Ferguson, who’s dopey visage yet grins dimly from the brightly lit magazine racks at the book shop in the mall. I had to avert mine eyes lest I be struck to somnabulance. I found both respite and inspiration in the pages of this month’s National Geographic, my favorite (spelled USA correctly) source of photographic inspiration. Last night I felt much more positive about the whole stupid world things than I had felt the other day. And I too had a dream. But I don’t think it will help anyone because, unlike MLK, I’d had a beer. Or two.

I dreamt I was learning to be a judge. The court was convened in a branch of Woolworths and my teacher and I were sat on a stage atop the cushion display as we dispensed justice. At one point I stood up–and some bastard nicked my cushion! When I sat down, boomf, hardness. I checked and the cushion cover had been replaced. They’d just stolen the filling. I leapt down to the floor and found these two guys walking out with what was clearly an overstuffed cushion that they’d only paid a regular price for. I grabbed it, unzipped it, and three cushion fillings came out. I immediately sentenced them for contempt.

If you can explain this. Please. Don’t bother. Laura is now playing, “For what it’s worth” originally by Buffalo Springfield and the pop has ended. I think Buffalo Springfield originally formed on my birthday in 1964. They sang about a pointless war, which shouldn’t have been waged. And the world changed. The world can still change. It takes a whole lot of optimism, and less sitting on the cushions, but the system is actually good and we can all use it. It’s not the stupid people make me angry. It’s callousness where responsibility should be the norm. We still need to learn that simple art of living together.