It’s all about the rhythm and cadence, dear reader. And today we explore the rococo intracacies of modern English as spoke in an American accent by a native Cantonese speaker. What does the phrase “P’naus! Mapyew?” really mean? Answers on a postcard. Or you can comment, I guess.
In other displays of wrongdoing this week, I have cut up no less than two cars by overtaking from a turn lane. Of course, I had an excuse: they were clearly being driven by stupid people who wanted to block the road by not moving at a green light. This act of bad karma hasn’t gone unpunished, however, since I also had to pay a parking ticket. Did the parking ticket make me bad? Or was it the badness that got me the parking ticket? I’d like to explore that by refering you to the opening lines of High Fidelity.
“What came first? The music or the misery? People worry about kids playing with guns and watching violent videos, we’re scared that some sort of culture of violence is taking them over… But nobody worries about kids listening to thousands — literally thousands — of songs about broken hearts and rejection and pain and misery and loss. Did I listen to pop music because I was miserable, or was I miserable because I listened to pop music?
Okay, I don’t want to explore it. I just love that line and wanted to hear it again, even if I only hear John Cusack saying it in my head.
Today, in no homage whatsoever to John Cusack, I was out filming in Grosse Point. In the grounds of the home of Edsel and Eleanor Ford. It was luscious. All of Grosse Point is luscious. Lusciously expensive, that is. Edsel had a beautiful swimming pool which fed into the lake via a series of ponds fed by trickling waterfalls. Also a private lagoon for bringing in private boats. That’s nice. The mosquitos certainly think so. They breed in the ponds and the lagoon. They bit me. They drank my blood. A metaphor for the corporatocracy. Luscious.
Good to see you blogging again. Pete Stevens and I saw each other recently and agreed we thought you’d gone to Guantanamo for having a radically un-American sense of humour. Or something